Schubert Cello Quintet, Trout Quintet, String Quartets Nos. Une uvre acquise au répertoire de linstrument par son dialogue entre les sons tirés et frottés dans une ambiance nocturne et par la répétition des notes S.A.C.H.E.R., selon la notation musicale Germanique 3 courts mouvements à la dynamique. Norman Sabina from A Companion Guide to Rome Henri Dutilleux : Trois Strophes sur le Nom de Sacher (violoncelle) Violoncelle-solo. 589, Piano Quartets, Kegelstatt Trio, String Quintet in C Major Mozart Clarinet Quintet, Dissonance Quartet, Quartet K. 1, Octet, Piano Sextet, Piano Quartet No. MacMillan String Quartet Visions of a November Spring Hakola Capriole for cello and bass clarinet 2ĭvorák Dumky Trio, Trio in F Minor, Piano Quartet in D Major, Piano Quintetįauré String Quartet, Piano Quartets in C Minor and G Minor
2, Phantasy Quartetĭohnanyi Serenade for string trio, Piano Quintet No. 1, Piano Quintet, Sextetsīritten String Quartet No. 8īrahms Piano Trios, Clarinet Trio, Clarinet Quintet, Piano Quartets, String Quintet No.
Schumann Fantasiestücke, Adagio and Allegro, Fünf Stücke im Volkston, 3 Romancesīeethoven Clarinet Trio, Quartets Op. Thomas Mellan …on transcendence… Quintuple Cello Concerto (World Premiere with SAKURA and the USC Symphony in 2016)ĭ aniel Silliman strain (World Premiere with the USC Symphony in 2014) winner of the 2015 William Schuman Prize from BMI and a 2015 ASCAP Morton Gould Young Composer Award Solo Celloĭutilleux 3 Strophes sur le nom de Sacherīeethoven 7 Variations, 12 Variations, Sonatas Nos. Yuan-Chen Li Wandering Viewpoint (West Coast Premiere with the Kaleidoscope Chamber Orchestra in 2017) Sean Friar Dynamics for cello and chamber winds (World Premiere with the Eastman Wind Ensemble in 2017)
Christian Poltéra was able to be procured for the markings in the solo part.Tchaikovsky Variations on a Rococo Theme Fitzenhagen, Original Version Concerto Premieres
#3 strophes sur le nom sacher archive
In this text, based on the first edition of 1881, “Kol Nidrei” appears for the first time in an Urtext edition substantiated by scholarly research, for which not just the musical sources, but also numerous letters and documents from the Max Bruch Archive were consulted. The tenor cello sound is the ideal medium for the voice of a Jewish cantor, and thus to this day “Kol Nidrei” offers every cellist a wonderful opportunity to make the instrument “sing”. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. Commission: Msitslav Rostropovitch pour les soixante-dix ans de Paul Sacher. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. Henri Dutilleux(1916-2013) Trois Strophes sur le nom de Sacher(1976) for solo cello. 1, “Kol Nidrei” numbers among Max Bruch’s most famous compositions. He plays a Antonio Casini cello built in 1675 and the famous "Mara" Stradivari from 1711.Īside from his popular Violin Concerto no. Christian Poltéra’s discography, which has won acclaim from the international press, reflects his varied repertoire that includes the concertos by Dvorak, Dutilleux, Lutoslawski, Walton, Hindemith and Barber as well as chamber music by Prokofiev, Fauré, Beethoven and Schubert.Ĭhristian Poltéra teaches at the Lucerne University. Voted Instrumental Soloist of the Year at the Victoires de la Musique awards in March 2022 (ex quo with her. He is a regular guest at renowned festivals (such as Salzburg, Lucerne, Berlin, Edinburgh and Vienna) and made his BBC Proms début in 2007. In 2004 he received the Borletti-Buitoni Award and was selected as a BBC New Generation Artist. Together with Frank Peter Zimmermann and Antoine Tamestit, Christian Poltéra has formed a string trio, the Trio Zimmermann, which performs at most prestigious concert venues and festivals all over Europe. He also devotes himself intensively to chamber music together with such musicians as Gidon Kremer, Christian Tetzlaff, Leif Ove Andsnes, Mitsuko Uchida, Lars Vogt, Kathryn Stott, Esther Hoppe and Ronald Brautigam, and with the Auryn, Zehetmair and Hagen Quartets. After receiving tuition from Nancy Chumachenco and Boris Pergamenschikow, he studied with Heinrich Schiff in Salzburg and Vienna.Īs a soloist he works with eminent orchestras including the Munich Philharmonic Orchestra, Leipzig Gewandhaus Orchestra, Los Angeles Philharmonic, Oslo Philharmonic Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome, Orchestre de Paris, BBC Symphony Orchestra, Orchestre Révolutionnaire et Romantique and Chamber Orchestra of Europe under such conductors as Bernard Haitink, Riccardo Chailly, Christoph von Dohnanyi, Andris Nelsons and Sir John Eliot Gardiner.
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